Just When You Thought it Was Safe to Go Back to Victorian London

The Legend of Springheel’d Jack – Series II of The Springheel Saga

Once again, Wireless Theatre Company has produced an energising, bewitching, atmospheric piece of radio.  Opening seven years after the end of the last series, we are immediately dropped into the thick of the action and the pace does not let up throughout the three episodes.  The Doctor Who references this time seem to me more subtle, and at the same time wider-reaching.  The sound landscape played a large part in this (I’m sure I heard a tardis at a couple of points!), especially the incidental music provided by Cameron K McEwan.  Without giving too much away, much of the story revolves around a mysterious box, whose origins, it turns out, involve transwarp drive.  The box’s final destination is reminiscent of another cult classic – Raiders of the Lost Ark.

The storytelling remains first-class  Writing for radio holds its own special challenges, as the conversations have to tell most of the story, without being too obvious or lessening the impact of the characters as individuals, and this was managed seemingly effortlessly by Gareth Parker and Robert Valentine.  However, in this series, they have added the device of a narrator, who is also a character in the story (James M. Rymer, wonderfully played by John Holden White) and this proved to be very effective.  As before, the dialogue is outstanding throughout; with priceless lines such as “the tears that rolled down his cheeks behind the large false beard.”

The acting was superb.  Christopher Finney reprised his role of Jonas Smith with aplomb, John Holden White, as James M Rymer, was an excellent addition to the cast, and Nicholas Parson was wonderful as Cuthbert Leach.  However, my personal favourite this time was Josephine Timmons, as Lizzie Coombe.  She was believable on so many different levels (it was a complicated character); totally sympathetic and a pleasure to listen to throughout.  Casting was by Jack Bowman, who also had a small but effective cameo, but whose major contribution is in the production and the superb writing (under his pseudonym of Gareth Parker).  The excellent direction was by co-writer Robert Valentine, who was also part of the production team, along with Mariele Runacre-Temple.

The Legend of Springheel’d Jack is in three episodes: The Terror of London; The Carnival of Horrors and The Engine of Doom.  Each of these can be downloaded from http://www.wirelesstheatrecompany.co.uk.  Series III – The Secret of Springheel’d Jack – is planned for an August/September release.  I’ll be listening!

Previously published in Blogtor Who.

Advertisements

My Million to One – Worth £1 of Your Money!

For almost a year, I have been attending free events run by My Million to One, a charity run by Alana Hurd, and backed by such big names as Richard E Grant and Jason Flemyng.  I have been to Q&As with both the aforementioned actors, as well as director Hugh Woolridge.  I have also been at a Mind Body Spirit workshop and a discussion about producing theatre.  There have been many others that I have wanted to go to but time or circumstances prevented me, such as Tai Chi, circus skills and book publishing to name but a few.  The subjects covered have been many and varied – from new age thinking to the arts to business to extreme sport and even exploration: Sir Ranulph Fiennes was one of the many wonderful people to give his time to the project.  There have also been many raffles throughout the year.

The workshops and Q&As will be drawing to a close before the end of the year, but transcripts of the Q&As will remain available for members to download from the internet and there are also dozens of discounts and offers to help people achieve their dreams.

My Million to One was founded to found a home for abandoned disabled children in Southern Africa. Alana was asked to help whilst volunteering in the area, so she approached a couple of small, local charities that she knew very well and they agreed to adopt the children and give them a home.  However, she has to meet two criteria in order for the arrangement to go ahead.  Firstly, to find money every year to pay for the children’s home, plus all their needs, education & rehabilitation costs; and, secondly, to guarantee that the money will be provided for their lifetimes.

Alana has found a unique way to do it – By making £1,000,000 by 22nd November 2014.

When a million of you join MMTO, paying £1 (+ 11p credit card charge) each ONCE ONLY, the interest alone from the £1,000,000 will build AND fund the home for the children in Africa, never requiring further investment again.  This is a brand new charity model in its own right.

A million sounds like a big number, but it’s really just 10 to the power of six, or in human terms six degrees of separation.  Let me explain.  I’ve paid a one-off donation of £1 to join My Million to One.  If I get 10 friends to do the same, that’s 101.  When each of those then gets 10 new friends to join, that’s 102, or 100.  They each persuade 10 other friends – 103, who invite 10 more friends each – 104.  Those friends do likewise and we have 105, and finally this last group each asks 10 friends and we have 106 or £1,000,000.  Plus my original £1 of course.  So in six easy steps we have created a forever home for disabled African orphans, and made an awful lot of friends.

Will you be one of my ten?

Read more about My Million to One here: http://mymilliontoone.wordpress.com/2014/03/17/my-million-to-one-the-3-whys/

or go straight ahead and join here: http://www.mymilliontoone.com/foyer

My Million to One really needs and deserves our support.  Join – and tell your friends!